Sektchbook II 2018

Sembang Kencang Siries

All done on A4 size sketch book.

Geram Hari Raya

Dua orang wanita, satu berkebaya satu baju kurung ter-alter. Ada gerai jual air soya, cutting board Ikea, pisau dan kuali tergantung. Senapang tersandar dengan guni gula, kotak-kotak harta dan sangkar burung tiga segi. Ada kontena susu dan stool kayu. Itik seekor dan jambu air seraga. Ada botol kaca atas kotak kayu, balang dan barang-barang atas kereta lembu.

Shahbandar Melaka 1511

Jurassic Cup Cake

Sketched on my sketchbook. A family of cupcakes. An animated series planned.

With no particular title, I asked my boy, "Fahad, what should we

call this?" 

There was a monster cake in the original design. After looking at that for a minute or so,

Fahad decided to call this as Jurassic Cup Cake.

So Jurassic Cup Cake it is.

Story Board and Shooting Board.

Storyboard is your blue print. Architect's plan and a manual instruction. You might have heard of shooting board. While storyboard has the look and feel, angle and the story tempo, a shooting board is more precise. The angle should be achievable in the real world, the background would be the setting at the set and the framing would be final. In short, a storyboard is what you present to your client for the job, while a shooting board is what the artist re-draw after the script is finalise and the location is lock.

Most animators would never come across the word shooting board. And most storyboard has all the shooting board quality. However the drawing is labelled, shooting board or story board, it should be able to convey the needs for the director (producers, DOP and aa lot of other guys) to pick it up and direct.

The storyboard you see here is drawn to be presented to client. My main purpose was to sell the 'new' and innovative look and the storytelling style. A heavily textured, a simple and universal character and a light way of conveying a heavy message.

Of course, this was presented with the real rendered 3D character design.

1, 2, 3 Elli !!

Aku rasa bende ni susah nak capai dalam 3D. Kena 2D jugak baru zass..!

Working Title : 1, 2, 3 Elli. (kena nyanyi sikit)

Concept: Panjang aku nak tulis.

Twinkle II

Sketches compiled.

Working Title: Twinkle

Format : Animation Series

Bila Nak Buat: Nak buat la ni..

Don Si Penoreh Getah II

Water Colour on A4

2008 / 2009

Don Si Penoreh Getah I

Nama saya Don Hariswatan Abdullah Che Ken.

Kadang-kadang nama itu datang dulu dalam kepala.

Visualnya samar-samar. Kadang-kadang sambil melukis keluar nama.

Ini mesti banyak pengaruh dari popularnya Ustaz Don masa itu.

Water Colour on A4

2008 / 2009

Sketch - Budak OKU & Alien

Sketch sekitar 2011

Colours should not be included

With his dad

 Concept design for a series I am working on.
Sketches on A4.
Ink on paper. Early 2011.
Fading on the wall so I might as well scan it in.

Arnab & Kura-Kura - Location & Prop

12 May 2007

2007: This is a sketch found among those A4s kept in between files and documentation.

The sketches of locations & props were usually spontaneous during scripts or boarding.

This was the time when i was the script writer, concept artist, board artist, director and line-producer. This was that period when i was the pre-pro itself. Haha !! Not funny.

Adik & Alien

Antara idea hebat atas kertas dan idea biasa-biasa yang terlaksana.

I love doing water colour on 80gm A4 paper.

Sekitar 2012.

Melayu Di Masa Hadapan

Title: Semangat Tuah

Work: Sketches Development

Masa ni Tuah yang aku propose dalam awalan remaja. 13, 14 tahun gitu.

Semangat Tuah

Yang Panjang dan Yang Gemuk

Hari "aku tak boleh kaler"

Title: Semangat Tuah

Work: Sketches Development

Aku tak nak Hang Tuah itu Hang Tuah, aku mau semangatnya saja.

1, 2, 3 ELLI !!

Title : ELLI

Artist: Fariz Ghazali

Media: Sketchbook Pro on iPad

Year: 2012

Sketch idea untuk satu siri animasi yang aku rasa boleh pergi. Aku rasa sebab
aku buat sendiri, aku perasan sendiri.

Romi Si Penglipur Mimpi

Romi - Si Penglipur Mimpi

Animation series. Ada berani..?